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  Armour    2017, at DISPLAY       Individual protections, once made of iron, were meant to defend their owner and improve human capacities. They would shape the body to act as a second layer, define one’s identity and belonging, and maybe, repulse the adversary. From head to toe, covered by her all-in-one, how would Joan of Arc feel wearing her “victorious” harness while marching on Paris?  The inhabitants of an armour chose whether they wanted it to be light and adherent or massive and constructing, either allowing a greater rapidity of movement but with less efficiency or defensive but rigid and heavy, constricting the range of action. In each case, the protection reveals its fragility.  From chainmail to bulletproof vests or tribal face tattoos, the defensive shields made a long way since the heavy overalls and took diverse outlines. Kevlar, polyethylene of molar mass, light metal, ceramic plates or ink; materials and forming varied and evolved regarding mobility and clinging functions to such an extent, that they tend to become imperceptible.  Keegan Luttrell extends this investigation field to other forms of protection or self-defense. Her interest focuses exactly on the invisiblearmours, involved in a daily context. The ones we wear on facial features or disguised under gestures and behaviors.  Through her analysis and in the exhibition taking place, they become tangible, as to allow a closer observation, as if we could even try them. Face lines converted into ceramic pieces strengthened by fire and shattering if mishandled. These fine bone structures are here engaged in a ritualized course, their brittles taken by fluids and movements, turning back into sediments, as the objects are activated by their dissolution.     -Marie DuPasquier         Activation: by Keegan Luttrell, Paul Polaris and Estafania Campillo.    Photos by Josh Wolf and  CHROMA

Armour

2017, at DISPLAY

 

Individual protections, once made of iron, were meant to defend their owner and improve human capacities. They would shape the body to act as a second layer, define one’s identity and belonging, and maybe, repulse the adversary. From head to toe, covered by her all-in-one, how would Joan of Arc feel wearing her “victorious” harness while marching on Paris?

The inhabitants of an armour chose whether they wanted it to be light and adherent or massive and constructing, either allowing a greater rapidity of movement but with less efficiency or defensive but rigid and heavy, constricting the range of action. In each case, the protection reveals its fragility.

From chainmail to bulletproof vests or tribal face tattoos, the defensive shields made a long way since the heavy overalls and took diverse outlines. Kevlar, polyethylene of molar mass, light metal, ceramic plates or ink; materials and forming varied and evolved regarding mobility and clinging functions to such an extent, that they tend to become imperceptible.

Keegan Luttrell extends this investigation field to other forms of protection or self-defense. Her interest focuses exactly on the invisiblearmours, involved in a daily context. The ones we wear on facial features or disguised under gestures and behaviors.

Through her analysis and in the exhibition taking place, they become tangible, as to allow a closer observation, as if we could even try them. Face lines converted into ceramic pieces strengthened by fire and shattering if mishandled. These fine bone structures are here engaged in a ritualized course, their brittles taken by fluids and movements, turning back into sediments, as the objects are activated by their dissolution.

 

-Marie DuPasquier
 
 
 

Activation: by Keegan Luttrell, Paul Polaris and Estafania Campillo.

Photos by Josh Wolf and CHROMA

Armour

CHR_9447_small.jpg
Armour-12.jpg
CHR_9462_small.jpg
Armour-1.jpg
CHR_9439_small.jpg
Armour-2.jpg
Armour-9.jpg
Armour-10.jpg
Armour-22.jpg
CHR_9463_small.jpg
Armour-45.jpg
Armour-16.jpg
Armour-17.jpg
Armour-24.jpg
Armour-28.jpg
IMG_1758.jpg
IMG_1763.jpg
Armour-31.jpg
Armour-38.jpg
Armour-21.jpg
CHR_9479_small.jpg
IMG_1779.jpg
IMG_1785.jpg
Armour-41.jpg
Armour-48.jpg
Armour-40.jpg
Armour-42.jpg
IMG_1771.jpg
IMG_1776.jpg
P1140053_1.jpg
P1140066.jpg
P1140087.jpg
P1140089.jpg

Dissolve

Armour

2017, at DISPLAY

 

Individual protections, once made of iron, were meant to defend their owner and improve human capacities. They would shape the body to act as a second layer, define one’s identity and belonging, and maybe, repulse the adversary. From head to toe, covered by her all-in-one, how would Joan of Arc feel wearing her “victorious” harness while marching on Paris?

The inhabitants of an armour chose whether they wanted it to be light and adherent or massive and constructing, either allowing a greater rapidity of movement but with less efficiency or defensive but rigid and heavy, constricting the range of action. In each case, the protection reveals its fragility.

From chainmail to bulletproof vests or tribal face tattoos, the defensive shields made a long way since the heavy overalls and took diverse outlines. Kevlar, polyethylene of molar mass, light metal, ceramic plates or ink; materials and forming varied and evolved regarding mobility and clinging functions to such an extent, that they tend to become imperceptible.

Keegan Luttrell extends this investigation field to other forms of protection or self-defense. Her interest focuses exactly on the invisiblearmours, involved in a daily context. The ones we wear on facial features or disguised under gestures and behaviors.

Through her analysis and in the exhibition taking place, they become tangible, as to allow a closer observation, as if we could even try them. Face lines converted into ceramic pieces strengthened by fire and shattering if mishandled. These fine bone structures are here engaged in a ritualized course, their brittles taken by fluids and movements, turning back into sediments, as the objects are activated by their dissolution.

 

-Marie DuPasquier
 
 
 

Activation: by Keegan Luttrell, Paul Polaris and Estafania Campillo.

Photos by Josh Wolf and CHROMA

Armour

Dissolve

  Armour    2017, at DISPLAY       Individual protections, once made of iron, were meant to defend their owner and improve human capacities. They would shape the body to act as a second layer, define one’s identity and belonging, and maybe, repulse the adversary. From head to toe, covered by her all-in-one, how would Joan of Arc feel wearing her “victorious” harness while marching on Paris?  The inhabitants of an armour chose whether they wanted it to be light and adherent or massive and constructing, either allowing a greater rapidity of movement but with less efficiency or defensive but rigid and heavy, constricting the range of action. In each case, the protection reveals its fragility.  From chainmail to bulletproof vests or tribal face tattoos, the defensive shields made a long way since the heavy overalls and took diverse outlines. Kevlar, polyethylene of molar mass, light metal, ceramic plates or ink; materials and forming varied and evolved regarding mobility and clinging functions to such an extent, that they tend to become imperceptible.  Keegan Luttrell extends this investigation field to other forms of protection or self-defense. Her interest focuses exactly on the invisiblearmours, involved in a daily context. The ones we wear on facial features or disguised under gestures and behaviors.  Through her analysis and in the exhibition taking place, they become tangible, as to allow a closer observation, as if we could even try them. Face lines converted into ceramic pieces strengthened by fire and shattering if mishandled. These fine bone structures are here engaged in a ritualized course, their brittles taken by fluids and movements, turning back into sediments, as the objects are activated by their dissolution.     -Marie DuPasquier         Activation: by Keegan Luttrell, Paul Polaris and Estafania Campillo.    Photos by Josh Wolf and  CHROMA
Armour
CHR_9447_small.jpg
Armour-12.jpg
CHR_9462_small.jpg
Armour-1.jpg
CHR_9439_small.jpg
Armour-2.jpg
Armour-9.jpg
Armour-10.jpg
Armour-22.jpg
CHR_9463_small.jpg
Armour-45.jpg
Armour-16.jpg
Armour-17.jpg
Armour-24.jpg
Armour-28.jpg
IMG_1758.jpg
IMG_1763.jpg
Armour-31.jpg
Armour-38.jpg
Armour-21.jpg
CHR_9479_small.jpg
IMG_1779.jpg
IMG_1785.jpg
Armour-41.jpg
Armour-48.jpg
Armour-40.jpg
Armour-42.jpg
IMG_1771.jpg
IMG_1776.jpg
P1140053_1.jpg
P1140066.jpg
P1140087.jpg
P1140089.jpg
Dissolve